Here’s one more preview track from the upcoming retrospective BandCamp release Play the Hits. This was recorded in 2005 under a pseudonym for a songwriting contest – which I didn’t win, due in part perhaps to the fact that it contains no actual singing.
Musically it owes a clear debt to Motown and Stevie Wonder in particular, its stereo interlocking clavinet parts and wandering bass line inspired by tracks like Higher Ground and Boogie On, Reggae Woman. The sample content speaks for itself. I think of it as a tiny musical documentary.